Main offender is an ill track, originally. Now if you take it and throw a heavy heavy synth on it, and a fairly crooked beat, (not to mention the beautiful voice crack at the beginning). What do you think that adds up to? Chaos. Pure, beautiful, utter chaos. I fucking love it. Enjoy.
So yesterday night was the big Dim Mak Invasion show at EEC, and let me be one to say it was unreal. Those who took part in this affair were Felix Cartal, JFK of MSTRKRFT, and Steve Aoki, y'all know the name. I'd have to say JFK took the show, armed with his mustache and a couple 2-6's of Crown, he kicked Edmonton square in the ass with his heavy hitting part in the show. Well, I'm still undecided on whether I liked Aoki or JFK better, it's easy to say they both fucked EEC up last night. Fuck my right arm must have gotten 2x bigger from all that fist pumping. This track is JFK's new project, can be heard in a few of his sets, but is still unreleased, so a full version that isn't edited is kind of hard to find. But here is what I got. Enjoy.
In my opinion, doesn't really look like a normal human being...
Well, as I was raving (negatively) about Weezy's new album, which might as well should have been the next Fall Out Boy album or something, I stumbled upon a couple of good tracks. I liked "Drop the world", but I LOVED "I'm not a human". This post's main focus will be the latter. Well, first off... What can be expected? What is Lil Wayne's capability? Lyrics - No. Beats - Rarely. So it had to have been one of those two, or both. Once again, we're going to focus on the latter. I like this song because of its punch-in-the-balls beat. It combines heavy heavy kick drums and extended bass notes (kinda like A Milli) with retro sounding samples from songs most likely from the 80s-90s. Once again, I only like this song for the beat, I still think Weezy is a shitty, lacking-in-substance lyricist. But what can ya do? Well here it is, "Alien" Lil Wayne's new album's banger. Enjoy.
As I was speaking of earlier, In the "In the middle" Streets remix, I listened to this artist WAY back. When I used to live in Fort McMurray, and my my what a treasure I have just stumbled upon on the internets. I bring forth "Fit But You Know It". This was that big track that was on Much Music "Wedge" and that I was so in love with; and coming back to it, I can see why. Just as ill as I remembered it to be. Here it is, kick back and of course: Enjoy.
Did you want me to bring the lulz? If so then you've come to the right spot. I'm not gonna say much about the song(s) in fright of ruining the surprise, but all I have to say is that I facepalmed SO hard when I heard these, in fact, when I heard the whole new album "Rebirth". It's RIDIC (Yes I said ridic for YOU). Well, all I can say is check it out and let the lulz ensue. Fucking Lil Wayne. Please stop making "music".
Ever since the release of the Christmas Vendetta, I haven't really looked for much in the way of new shit from the Beetroots. But after some thought, I decided to look, and surely enough, they've uncovered some new shit in a mix they did for Annie Nightingale. So far I love it, classic fucking sound, they used some pretty clever songs, and they even threw in a Rifoki song, yikes. We shall see how this all turns out. Long live these two motherfuckers, I knew they'd pull through for me. Enjoy
Song's basically sends out a message from the girl's point of view, showing her vulnerability; but it's vague. The original version of the song sounds much happier and toned up than this "Penguin Prison" remix. This remix is much more of a "Walking in the rain" type of track. It's funky but its mysterious. My girlfriend really liked it from the moment she heard it, and I'm posting this on here for you, love you :) Enjoy.
I AM YOUR BUTTERFLY, I NEED YOUR PRODUCTION, BE MY SAMURAI!
WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK
Well it had to happen sometime. These coworkers, Steve Aoki, and Bob Rifo (you may know them) were into punk once in a blue moon. I knew it would catch up to them like this. Knowing about Rifo's history, he went through a lot of phases; everything from classical to punk to electro. Aoki had a punk band wayyyy back when known as "The Machine Kills". Bet y'all didn't know that. Well, looks like the roots have resurfaced in this new collaboration, it's called "Sperm Donor" and I can't understand what they're saying so I have no idea why. It's fucked. Enjoy.
For all of you that think you know what you're about to experience. I'm gonna bet that you don't. Well for most of you at least. NO, this is not the Bloody Beetroots' Remix, I'm sorry for those that are disappointed by that. Actually, not really, heheh. This version kills the remix, mostly because of one reason I said before, some remixes are just going to shit these days, therefore we must rely on the Original Mixes to bring us the ear candy we deserve. I'm not saying all remixes are bad, but there used to be a time when seeing "Remix" at the end of a track would bring butterflies to my stomach. It's just not the same anymore. I digress. This version of the track is just so much heavier than its mainstream remix brother. It doesn't have any "filler". It's simplistic with a slightly primitive touch, it actually makes me kind of frightened. So... Who the fuck are you? Hopefully someone who enjoys this track.
We all know that at we had a phase where mash-ups were the shit. HOOD INTERNET R.I.P. In our headphones and stereos, their estimated life was about... Beginning of grade 12, until Christmas break (2008/2009). Funny how the phases, and mainstream music trends come and go. Well I stumbled upon some of my old goofy mash-ups; I found Super Mash Bros (they blow), Girl Talk (He Blows), and well, who could forget about The Hood Internet (They were actually chill as fuck), aaaand well... This. My personal favorite is "Stuntin' like my daddy in Beverly Hills". Enjoy.
Ok, I'm getting bored of new music, let's have a phase where we go back to listening to the music we listened to long long ago. Well... Y'all don't really have to, but I am, for this post.. I honestly don't know how I thought of this one, but it's definitely a classic for me, track, video, drugs, OD, die. It's all in the name of a good fucking song isn't it? These Italians know, and have known for a long while how to fuck shit up. Here it is, classic track #1, CORNELIUS! Enjoy, hipsters, and sadly mainstreamers.
SO as most of you out there, The Bloody Beetroots did a remix to Sound of Stereo's heavy track "Heads up". I personally think they butchered it; as I'm hearing a lot in remixes these days. It's really disappointing when I'm looking for remixes and I'm expecting great things, and I found out the songs been taken, bent down, raped by mainstream, and sent out for production. Fuck that, personally. Well, this is some independent artist's remix of "Heads up" and I think it's fucking brilliant. It's simplistic, it's evil, it's just IT. Enjoy, I know I fuckin' did. Youtube
My mission is to bring attention to the hidden beauty of music that ISN'T on the top 40 list... Hopefully that is achieved, or even read in all honesty.